Body Editor

photography | ongoing

04_ewa_doroszenko_body_editor
03_ewa_doroszenko_body_editor
11_ewa_doroszenko_body_editor
ewadoroszenko_bodyeditor_touch02
01_ewa_doroszenko_body_editor
ewadoroszenko_bodyeditor_touch04
09_ewa_doroszenko_body_editor
05_ewa_doroszenko_body_editor
14_ewa_doroszenko_body_editor
08_ewa_doroszenko_body_editor
15_ewa_doroszenko_body_editor
06_ewa_doroszenko_body_editor
ewadoroszenko_bodyeditor_touch05
17_ewa_doroszenko_body_editor
10_ewa_doroszenko_body_editor
ewadoroszenko_bodyeditor_touch03
02_ewa_doroszenko_body_editor
07_ewa_doroszenko_body_editor
19_ewa_doroszenko_body_editor

Body Editor

photography | ongoing

While the Internet can seem like a place disconnected from the physical world, much of the activity that occurs there deeply affects how people feel outside of it. In the age of social media, where selfhood is effaced by self-promotion, and the glorification of digital beauty undermines the truthfulness of real self-expression, women very often become dissatisfied with what they see in the mirror. Modern technology provides women with tools that allow them to quickly create dream digital image of themselves. Using various beauty applications, they can smooth, contour their faces, whiten their teeth, add a few centimeters of height, enlarge their eyes, choose different mouths, and use many other options.

In the „Body Editor” series, Ewa Doroszenko tries to challenge our trust of digitally constructed imagery in the context of the post-photographic era. The project was inspired by the failures and bugs in the popular beauty apps, where unnatural bodies get distorted. Doroszenko used photography as a starting point, alongside digital tools to create an expressive project that is both a critique and a celebration of the ongoing progress in contemporary technology and culture.

Doroszenko employed many methods of creating images: preparing three-dimensional collages constructed from stock images and her own portraits, photographing the scenes, printing in large sizes, physically manipulating prints, and digitally editing selected photos. In the final work, Doroszenko left visible traces of digital processing, partly revealing her working methods in order to provoke discussion about digital beauty. Digitally edited images can serve as aspirational fantasies and occasionally they even can have a positive impact – when they are just effects of joyful entertainment. But can the game in which your body is a battleground be truly enjoyable? The phrase from Barbara Kruger’s iconic work has just as much resonance today as it did more than a quarter of a century ago.

*
The Body Editor project has been awarded in many international photographic competitions, among others Inaugural Der Greif – Organization for Contemporary Photography and the World Photography Organisation open call and Debut 2018 / Lithuanian Photographers Association.

Back to Works