The artist uses elements that directly result from the opening of music to graphic scores. Using abstract, black-and-white structures, she attempts to capture sound moving through time and space, capturing it in a static form. Thus, we refer to the avant-garde and the relative notion of time, although this time by artists balancing on the borderline between visual arts and music, whose actions have, in a way, opened the classics to completely new experiences. We are talking about attempts to integrate the arts, but also – and probably above all – to transcend the determinant of the instrument, the performance possibilities of the musical instrument in the classical sense, of which the performative actions of Charlotte Moormann or John Cage, but also the musical activities of artists such as Pierre Boulez, Karlheinz Stockhausen, Luigi Nono and, in our backyard, Włodzimierz Kotoński, Krzysztof Penderecki, Andrzej Dobrowolski, Bogusław Schaeffer and Eugeniusz Rudnik with the Polish Radio Experimental Studio and the so-called „sonorism” at the forefront. And while the Doroszenko duo does not refer to these categories literally, they certainly transpose their avant-garde observations and attempts at extending boundaries to our new, contemporary reality.

Curator: Kama Wróbel